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The General Process
1. Prepare the original for molding medium by
painting with a light coating of petroleum jelly or mold
release. Clay originals can generally be mid-lined with aluminum
shims, for ease in separating the mold sections. The shims
should be cut to a proportionate size with shears, and should
protrude from the surface by two inches, ( if you plan to apply
an inch of plaster) and are gently pushed into the clay original
along the midline. Wear gloves! The aluminum shim stock will
have sharp edges! Insert one at a time, to minimize
surface alteration. Edges should overlap sufficiently to insure
clean separation. After you have one
complete row of shims along your midline, begin inserting the
second row, flatly against the first. (The two halves will be
separated by tapping a chisel between these two rows.)
2. Mix small amounts of
plaster, and build the surface in layers to a thickness of
approximately one inch, allowing each layer to set firm before
adding another. Use reinforcing material, if needed. Molds
larger than 24" in any dimension may require more than one inch
of plaster. Molds smaller than 10-12" will not require a full
inch. The discretionary objective should be to develop a sturdy
vessel to receive the casting medium.
3. Plaster waste clean
up must be done before plaster sets. Plastic bowls and utensils
will clean up easily by flexing. Any dried plaster will crack
and fall away.
4. Once the mold is set
and dried, separate the sections by gently tapping a thin edged
tool (chisel) between the midline shims. Remove the shims, but
be careful not to corrupt the edges of the mold.
Remove and discard
clay, wash mold thoroughly.
Casting the mold: Join
mold sections and band or secure tightly prior to casting.
Be aware that there may be some leakage. If
leakage is excessive, use floral clay or plasticine to seal the
edges. Clay slip cast in a plaster mold will shrink and pull
away from the mold surface, making a release agent not only
unnecessary but highly undesirable, as it creates a barrier
between the plaster and the clay which prohibits the plaster's
natural moisture drawing action.
My advice... general mold making tips
Working time is an important
consideration in any mold making process. Know what the working
time of the medium is, and plan accordingly. To the extent
possible, arrange all work surfaces, tools, and materials,
in advance. Make sure you have buckets and water available to
wash hands and utensils before plaster sets.
Reinforcement: There are number of
ways you can reinforce a plaster mold. The best method is
determined by the cause for reinforcement. Large area, thin
walled, molds may need to be reinforced to avoid flexing during
removal or casting. Consider using chicken wire for larger molds
or gauze strips for smaller molds (generally works well for
organic forms).
- Life Casting: A model can only
be expected to stand stationary and motionless for about 20
minutes. It is not uncommon for standing models to faint (as
a result of reduced circulation). If at all possible, try to
arrange for sitting or reclining position. If this is not
possible, I highly recommend having at least two "spotters"
on hand to assist the model. This effect can set in quite
suddenly, and a dialogue should be maintained with the model
during the working process.
- Low temp (Amaco) wax is an excellent
mold medium for casting small, delicate, items or body
parts, but temperature must be closely controlled to prevent
burning the wax or the skin. I use Amaco brand blue wax,
which melts at about 110 degrees Fahrenheit. I have used
this wax to take molds of children's feet and
hands, by alternating a dip in the wax, then a pan of cold
water to reduce the heat build up.
- Be cautious of sensitive areas
of the body, such as mucous membranes, eyes, mouth, and
nose. If possible, have the model shave or wax working areas
to remove hair. Be sure to coat eyebrows, etc., with
sufficient amount of petroleum jelly to avoid plaster
adhesion and unwanted removal of hair.
Many people use Pam cooking spray as
a mold release. I do not, because it encourages black mold.
Black mold is a scourge to your plaster projects. This can be
avoided by thoroughly washing all surfaces. But, be warned, if
you miss even a little... it can cost you a lot. In particular,
if your mold might sit on a shelf for a few days or a few weeks
before casting, I urge you to use another type of release agent.
Plaster repair Plaster waste molds
are generally used for one-offs. Each subsequent casting will
cause the inner surfaces of the mold to lose integrity. After a
few castings, small dimples may develop. You can stretch the
life of your mold by using plasticine to fill dimples and
correct irregularities.
Outer surfaces may become chipped. I
use a product called "Fix All" (commonly available at any
hardware store) to repair plaster castings and outer surfaces of
the molds. You must first seal the surface to be repaired with a
coat of shellac or varnish thinned down to a milky consistency,
in order to get good adhesion. (Otherwise, the old plaster will
draw the moisture from the repair and cause it to become
powdery. ) Only coat the area to be repaired.
To repair plaster with plaster, soak the mold in cool
water for 20 minutes. Repairs must be completed before the mold
dries. You can add new plaster to set plaster only if both
surfaces are wet and will have approximately the same drying
time.
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